Title Details

Guy Pratt came of age just as playing bass became sexy. In spurning the guitar solo, punk put the low-end on more of an equal footing—or maybe it was just that Paul Simonon and Bruce Foxton were pretty cool. Either way, people were trying out the basslines of "White Man in Hammersmith Palais" or "Peaches." Having dallied with Funkapolitan, Pratt suddenly found himself on Top of the Pops and supporting David Bowie with the smooth Australian outfit Icehouse. At a ludicrously young age he became a sought-after bass player to the stars, finding himself crawling from studios to bars and from hotels to stadiums with the likes of Robert Palmer, Womack & Womack, Bernard Edwards, Bryan Ferry, and David Crosby. The 1980s were in their prime, and with a number of Crolla-suited appearances in windswept videos behind him, he was invited to join Pink Floyd for a series of stadium extravaganzas to make Bono & Co. look fairly modest. He was in The Smiths for a week, has traveled through customs in a wheelchair after a flight with Jimmy Page, spent time in the studio with Michael Jackson, and has lived to tell all. This autobiographical account emerges from the successful stand-up tour of the same name, charting his journey from a Mod band to playing with Roxy Music at Live 8.