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More About This Title Splendors and Miseries of the Brain - Love,Creativity, and the Quest for Human Happiness
English
- discusses creativity and the search for perfection in the brain
- examines the power of the unfinished and why it has such a powerful hold on the imagination
- discusses Platonic concepts in light of the brain
- shows that aesthetic theories are best understood in terms of the brain
- discusses the inherited concept of unity-in-love using evidence derived from the world literature of love
- addresses the role of the synthetic concept in the brain (the synthesis of many experiences) in relation to art, using examples taken from the work of Michelangelo, Cézanne, Balzac, Dante, and others
English
English
Note to the Reader ix
Acknowledgments x
Introduction 1
PART I Abstraction and the Brain 7
1 Abstraction 9
2 The Brain and its Concepts 21
3 Inherited Brain Concepts 26
4 The Distributed Knowledge-Acquiring System of the Brain 35
5 The Acquired Synthetic Brain Concepts 42
6 The Synthetic Brain Concept and the Platonic Ideal 46
7 Creativity and the Source of Perfection in the Brain 50
PART II Brain Concepts and Ambiguity 59
8 Ambiguity in the Brain and in Art 61
9 Processing and Perceptual Sites in the Brain 65
10 From Unambiguous to Ambiguous Knowledge 73
11 Higher Levels of Ambiguity 87
PART III Unachievable Brain Concepts 99
Introduction 101
12 Michelangelo and the Non finito 102
13 Paul Cézanne and the Unfinished 111
14 Unfinished Art in Literature 120
PART IV Brain Concepts of Love 129
Conte by Arthur Rimbaud 131
15 The Brain's Concepts of Love 132
16 The Neural Correlates of Love 137
17 Brain Concepts of Unity and Annihilation in Love 150
18 Sacred and Profane 158
19 The Metamorphosis of the Brain Concept of Love in Dante 170
20 Wagner and Tristan und Isolde 182
21 Thomas Mann and Death in Venice 193
22 A neurobiological analysis of Freud's Civilization and its Discontents 203
Notes 213
Index 227
English
“Set ... quite apart from the snappiness of most contemporary science-writing ... the book thinks hard, feels warmly and puts out provocative suggestions.” (London Review of Books, October 2009)
“I enjoyed reading this book and appreciated the attempt of the author to bridge the expansive chasm between experimental result on visual sensory input and the intimate human experiences for which we all strive.” (The Canadian Journal of Neurological Sciences, September 2009)
"Zeki’s book has a beautiful and enigmatic cover and title. Zeki explores the unachievable through the works of artists and writers, concluding with Freud’s Civilisation and its Discontents. Counsellors with a background both in neuroscience and an interest in the arts will find it a fascinating read." (Therapy Today, September 2009)
"An exuberant read." (Times Higher Education, April 2009)
"The book offers a glimpse into the physiological, neurological and emotional mechanisms of the most profound human part of our experience." (Yoga and Health, February 2009)
“This is a brave and unusual book¯what you are trying to do is look at the detailed neuroarchitecture of the brain, your particular specialty is how the brain sees (vision), and then apply it to a wider range of cultural ideas. I loved this book.” (Andrew Marr, Start The Week, Radio 4, November 2008)
"What was once dangerous territory is now the hottest theme in brain research. the subtitle of Semir Zeki's excellent new book is Love, Creativity and the Quest for Human Happiness ... .One of the world's leading neurophysiologist [Zeki] has turned to brain imaging to explore matters as seemingly outside brain science's territory as beauty in literature and art - and even 'romantic love.'" (Guardian, December 2008)
“This is going to lead to a new way of writing about the arts, and a new audience for certain kinds of science at the same time. (Start The Week, Radio 4, November 2008)
“This book is not about what neuroscience reveals about love and about art, but it is about what love and art reveal about the brain. This book reveals the intimate relationship between the fundamental function of the brain and the highest of human experiences.”–Chris Frith FRS, University College London, and author of Making up the Mind“The Brain Sciences hold out the great promise of being a natural bridge between the sciences, concerned with the nature of life and the universe, and the humanities, concerned with the nature of human existence. No one is in a better position to bridge this divide than Semir Zeki, and he has succeeded in illustrating how it must be done in this remarkable book, The Splendors and Miseries of the Brain.” –Eric Kandel, University Professor and Kavli Professor, Director of Kavli Institute for Brain Sciences, Columbia University, and Senior Investigator, Howard Hughes Medical Institute
