Rights Contact Login For More Details
More About This Title Unraveling French Cinema - From L'Atalante toCaché
English
- Looks at the differences between French and American national cinema
- Explores how French directors shape their films around two potentially divergent goals: the narration of a story and an elaboration of some theory about film itself.
- Demystifies the "difficulty" of French cinema, allowing the American movie-goer to enjoy films that are too often perplexing at a first viewing.
- Offers extended analyses of classic, New Wave, and contemporary French films—including L'Atalante, Adele H., The Rules of the Game, and Cache.
English
English
Acknowledgments vi
Introduction 1
1 Cinema and/as Poetry: L’Atalante’s Apples as Poems 13
2 Cinema and the Real: Renoir’s Rules 35
3 Cinema and/as Crime: Breaking the Law in The Children of Paradise, Pickpocket, and Breathless 54
4 Cinema and/as Mapping: Reorienting Ourselves Through Film 83
5 Cinema and/as Dream: Truffaut’s “Royal Road” to Adele H. 109
6 Cinema and/as Hypnosis: Jacquot’s Seventh Heaven 132
7 Cinema and/as Mourning: Anne Fontaine’s How I Killed My Father 148
8 Cinema and/as Terror: Michael Haneke’s Caché 165
9 Beautiful Fragments: Discontinuity and the French Cinema 179
Notes 193
References 212
Index 219
English
"Cinema historians or those specialists in film studies interested in the links between film and history may find something still to be desired from these combinations, even if the analysis offered does shed quite a different light on some of the most famous films of French cinema." (FH, 2 June 2011)
"In Unraveling French Cinema by T. Jefferson Kline, the focus (and astoundingly detailed focus it is too) is on the complexities of this strain of cinema divided appropriately into eight sections accompanied by in-depth examinations of ten films." (M/C Reviews, August 20, 2010)
"I enjoyed this book very much and found it to be challenging, rewarding and worthwhile. Kline has an engaging prose style and clearly knows his stuff. Envy his students." (Jildy Sauce, April 2010)
"Unravelling French Cinema is both a model of pedagogy and an introduction to the prismatic art of reading cinema. It is a brilliant an enduring contribution to film studies." Tom Conley, Harvard University“T. Jefferson Kline provides a gentle yet intelligent introduction to what makes French cinema French. Unraveling French Cinema offers lucid and compelling discussions about some of French film history's most significant films, such as Jean Vigo's L'Atalante and François Truffaut's Adèle H., that will prove especially useful in the classroom.” Hilary Radner, University of Otago, New Zealand
"An original, bold, and exciting new look at the history of French cinema and its masterpieces. Ideal for classroom use as well as a "must read" for film scholars and French cultural historians." Richard Golsam, Texas A&M University
