Writing Diverse Characters for Fiction, TV or Film

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More About This Title Writing Diverse Characters for Fiction, TV or Film

English

We’re living in a time of unprecedented diversity in produced media content, with more LGBT characters. more characters of color, more disabled characters, and more characters from various religions or classes. These characters also appear in genre pieces, accessible to the mainstream, instead of being hidden away in so-called "worthier" pieces, as in the past. This book discusses issues of race, disability, sexuality and transgender people with specific reference to characterization in movies, TV, and novel writing. Using such examples as the film Mad Max: Fury Road and the novel Gone Girl, the book explores how character role function really works. It discusses such questions as the difference between stereotype and archetype, why "trope" does not mean what Twitter and Tumblr think it means, how the burden of casting affects both box office and audience perception, and why diversity is not about agendas, buzzwords or being "politically correct." It also goes into what authenticity truly means, and why research is so important; why variety is key in ensuring true diversity in characterization; and what agents, publishers, producers, filmmakers and commissioners are looking for—and why.

English

Lucy V. Hay is a novelist, script editor and script reader. She is one of the founding organizers of the London Screenwriters’ Festival, associate producer of the 2012 film Deviation, and the author of Writing and Selling Drama Screenplays and Writing and Selling Thriller Screenplays. Lucy has read for a variety of production companies, funding initiatives and screen agencies as well as individual directors and producers with her Bang2write script consultancy.
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